I chose Ms. W primarily because I found it nearly illegible. The key to
deciphering the handwriting was the letter “s,” which very much resembles “f”
or, in fact, the German ß such as in Straße; once I identified it in
“beseech,” words such as “housemates” and “pleasant” became readily
readable. I chose the genetic
method of transcription, as I found the additions (signified in my transcription
as [added]) changed the tenor of the
manuscript, and found I did not want to abandon the meanings inherent to the
“rough draft.” I kept the original
lineation and ampersands, noting additions and deletions, and only once suggesting
the modern ending -e which looks to be missing from the word “headache.” The
handwriting appears hurried, but what I at first took for haste I now think of
as inspiration.
Initially
I read the manuscript as an excerpt from a letter dispensing medical advice, or
the manuscript of a work of medical or moral instruction. However, at the line “Come
out of the azure.” it becomes apparent that the text has literary, poetic
merit, and its instruction abandons the mundane and enters lyrical and
spiritual realms. After that line, the author additionally inserts “Love
the day. Do not leave the sky out of your landscape.”, giving his prose a
near-lyrical metrics.
At this point, the manuscript began to ring familiar, and after a bit
of research I uncovered it was an excerpt from Ralph Waldo Emerson’s essay “Behaviour.” I include the passage also as it
appears in the published essay. It’s interesting to note that some of the
deleted phrases have been reinstated in the final published version, so the
decision to favor the genetic method of transcription appears to be the right
one. Nota bene: I was interested in the phrase “Come out of the azure” because
it seems to contradict the subsequent evocation of the sky; I thought Emerson
might be referring to “the blues,” and in fact it turns out this is a reference
to a “distemper” colloquially known then as “the blue devils.”
-Ana Bozicevic
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